Download Those Who Leave and Those Who Stay (Neapolitan Novels, Book 3), by Elena Ferrante
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Those Who Leave and Those Who Stay (Neapolitan Novels, Book 3), by Elena Ferrante
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[Translated from the Italian by Ann Goldstein]
[Read by Hillary Huber]
The incredible story continues in book three of the critically acclaimed Neapolitan novels!
In this third Neapolitan novel, Elena and Lila have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of marriage and now works as a laborer. Elena has earned her college degree and published a successful novel, which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery and submission. They are afloat on the great sea of opportunities that opened up during the 1970s. Yet they are still very much bound to each other by a strong, unbreakable bond.
- Sales Rank: #616963 in Books
- Published on: 2015-06-02
- Formats: Audiobook, CD
- Original language: English
- Number of items: 14
- Dimensions: 6.10" h x 1.50" w x 5.50" l,
- Running time: 60180 seconds
- Binding: Audio CD
- 1 pages
Review
''Rising far above the melodrama of a typical coming-of-age story, this third in Ferrante's four Neapolitan novels exhibits keen intellectual curiosity and heartfelt passion as it continues to explore the lives of childhood friends Lina and Elena…Superbly translated, this tour de force shows off Ferrante's strong storytelling ability and will leave readers eager for the final volume of the series.'' --Library Journal (starred review)
''Ferrante continues to imbue this growing saga with great magic, treating the girls' years of marriage and motherhood with breathtaking honesty while envisaging the turbulence of political and social unrest in 1970s Italy. Though originally planned as a trilogy, the story doesn't finish here, as this book ends with a hook that will leave readers eagerly awaiting the next installment.'' --Booklist (starred review)
''Ferrante writes with the kind of power saved for weather systems with female names, sparing no one, and Those Who Stay is a tour de force. I don't want to read anything else.'' --Jennifer Gilmore, New York Times bestselling author
''Surpass[es] the rapturous storytelling of the previous titles in the Neapolitan Novels.'' --Publishers Weekly (starred review)
''Ferrante has authored a 'Portrait of the Artist as a Young Woman' that captures not only the forging of a self but the salvaging of it.'' --Vogue, praise for the series
About the Author
Elena Ferrante was born in Naples, Italy. She is the author of My Brilliant Friend, The Story of a New Name, and her previous novelsThe Days of Abandonment, Troubling Love, and The Lost Daughter. She is one of Italy's most important and acclaimed contemporary writers. Her true identity is unknown.
Most helpful customer reviews
5 of 5 people found the following review helpful.
I loved the first book of the trilogy and recommended it ...
By Sasha in SF
I loved the first book of the trilogy and recommended it to pretty much everyone I know who reads serious literature and a fair number of people who might not. It is also the case that I was once a huge student of Italiant culture and lived in the house of some prominant leftist newspaper people as an exchange student in high-school. So, the events of this book speak to a deep (if somewhat cooled) passion of mine that other readers might or might not share. However, all the same, I found the second and third books altogether more difficult to read. While the writing is phenomenal in its minute psychological detail and insights into class and gender and how ideology gets used as a currency in social games, it is difficult and not always pleasant reading -- a slog at times-- as the inner-conflicts of the narrative become more intense and her personality less pleasant. I was never going to give up, but I didn't always find joy in this book. In short: read it, but save it for that moment in your life when you have the patience to deal with a literary friend who is difficult, conflicted, and at times even unlikeable.
3 of 3 people found the following review helpful.
I enjoyed reading all the four books of Neapolitan novels
By Amazon Customer
Elena Ferrante made me revive trhough her vivid writing the time and the places where I grew up. I enjoyed reading all the four books of
Neapolitan novels. I think that she lived trough those novels, then she decided that was time to let her readers disclose that period of very hard time people lived trough it. The emphasis of friendship between Lena and Lila has been the focal point of the many changes that took place in that dilapidated area of Naples. For us Neapolitans having lived during the postwar period, friendship was something sacred
to cherish. Ferrante is also telling us that education is very important in order to overcome the emptiness and the ignorance of a past
regime had was imposed on our parents.She also describe the struggles and sacrifices the young people had to overcome in a time of
have and have not. Lena helpd by her friend Lila made her life in the right way, but Lila as the other girls preferred to follow the life of married women and being provided for what they never had as children. Ferrante ,however, empower Lena's ambition as a writer just like
herself.Fiction or Not?....I myself could identify ,as I already said, trough the different stages of these young women of the old neighborhood.I decided to leave and made my life in the USA. Very sad to read the story of the lost child. Ferrante's description of greed and self-destruction, of once content and simple people, now living trough drugs addiction, smuggling goods, abuse of the working class,
political dishonesty, camorra, killings,robberies. I've seen all the described changes, visiting throughout the years my relatives and my childhood friends.
decided to leave and take a different path in my life
61 of 69 people found the following review helpful.
How do such intelligent women make such poor choices in life?
By Tony Covatta
I did not think Volume Three of this extraordinary soon to be tetralogy was up to the standards of the first two books. Then again, perhaps I am just getting tired, as I have read all three over the last few weeks. As that fact indicates, I did find the work gripping, and Volume Three was no different at least through the middle of the book.
As usual, the emotional link between the two women, now in their twenties and early thirties is intense, and vividly rendered. Beyond that, the depiction of the union organizing and fascist and anti-fascist strife was done very well. I have read little like it.
Nevertheless, for me this whole series has major flaws. While it is very upscale chick lit and an entertaining read, perhaps the stuff of a major television mini-series, this is not great literature. There is far too much dependence on mindless coincidence. Simlarly, the introduction of Elena's younger sister Elisa as an important character late in the book, without any preparation is a major flaw. As usual, for the most part, the minor characters are only lightly drawn and are virtually indistinguishable.
But it is the major characters who gave me most pause. Lila becomes in this volume nearly a character out of science fiction. She has almost superhuman powers. She is prescient, beautiful, and every man falls ineluctably in love with/lusts after her. It is too much. Similarly, after three volumes and 1200 pages, it is clear that Elena is stuck on the womanizer Nino, but I defy anyone to tell me why. There is no basis for it outside of Elena's psyche, and she is not sharing that with us.
The action is melodramatic, operatic. The attempts at explanation of the ladies' feelings are sophistical. We never really know what Lila and Elena are thinking. They switch at a moment's notice and there is never any real explanation for the changes. Each of them lacks an observing ego--something characters always exhibit in the best art--getting to the heart of what makes them tick. After all this sturm and drang, Elena still doesn't know herself and is still almost totally dependent on others to get along in life. I won't spoil the end of the book except to say that to me it was morally and psychologically disappointing in the extreme.
I would say more except that the last page prompts me to predict that Elena will have yet another reversal of fortune early in Volume 4 (which I will read). Lila does not know herself either, and her turning into a computer wizard after being a journeywoman sausage stuffer strains one's credulity.
Finally and unfortunately, like so many other characters in modern fiction and in life, the two are driven by needs for sex, money and social status, not by love. This work is less than the sum of its parts.
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